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INTERNATIONAL JOURNAL OF SCIENTIFIC DEVELOPMENT AND RESEARCH International Peer Reviewed & Refereed Journals, Open Access Journal ISSN Approved Journal No: 2455-2631 | Impact factor: 8.15 | ESTD Year: 2016 open access , Peer-reviewed, and Refereed Journals, Impact factor 8.15 |
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| Paper Title: | Sanskrit dramaturgy in the Venisamhara |
| Authors Name: | Dr.Jharana Rani Tripathy |
| Unique Id: | IJSDR2302081 |
| Published In: | Volume 8 Issue 2, February-2023 |
| Abstract: | In Sanskrit Literature, Kāvya is the generic name comprising all forms of poetical compositions in Saṁskṛta. Two species of Kāvya are recognized: audio-visual (dṛśya) and aural (śravya). Of the audio-visual again there are two classes: drama or Nātya, and representation by gestures with a musical background or Natya. Drama is the reproduction of certain situations so as to induce in the spectators a sense of identification with the hero and other characters by the way the actors render them. Thus drama is literary piece written for representation on the stage, say, it is largely for a theatre; and the theatre is a place where people meet to hear the dialogue and to see the action of the play or representation by actors. Bhārata defines representation as that are of an actor by means of which he re-creates the sentiments (rasa) inherent in the original situation forming the theme of the drama under enactment. Such sentiments are so re-created that a spectator of taste could only resonate with them. Representation is possible in four ways: physical, verbal, decorative and emotional .The Nāṭya is also technically known as rūpa or a show because it is a scene. Accordingly it is called a rūpaka, for it contains the assumption of parts by characters. There are ten kinds of Rūpakas which are known as Nātaka, Prakaraṇa, Bhāṇa, Vyāyoga, Samavakāra, Dima, Ihāmṛga, Utsrtānka, Vīthī and Prahasana. Of these types Nāṭaka and Prakaraṇa are popular among playwright. A special reference to their constitution is, therefore, necessary.Purpose of the study: The drama has always been critically appreciated by literary technicians or rhetoricians. The dramatist has chosen the most crucial portion of Mahābhārata, The Kurukṣetra was along with its precursors and successive events. As it is known to all that Kurukṣetra war was being fought in between kiths and kins all the closests of relations were messed in those eventualities. When relations suffer or fail women happen to be worsely affected. These very things are very wel-executed in the drama and that appeal to an inquisitive reader. Again, the drama also has delineated very compatible relations of two pairs of spouse, one that is of Bhīmasena and Draupadī and the other pair is of Duryodhaṇa and Bhānumatī. It may again be mentioned that Bhaṭṭanārāyaṇa‟s Veṇīsaṁhāra is the only Sanskrit work where the character of Bhānumatī is portrayed with so much of attention and care. Even the concern of Bhīmasena to Draupadī is though a theme of Mahābhārata is very wel-portrayed in the drama. In this drama the female characters exhibit a commendable effort to smoothen the war-torn hearts of dear ones, be it Gandhari, Draupadī or Subhadrā. The drama is also appealing on the ground that the author has been very successful in creating pathos in the fourth Act and brilliant heroic sentiments in the earlier Acts. The technicalities, sociological aspects, character delineations and deviations from the original story make the drama an interesting subject of style. The paucity of substantial research works on this work also makes it a major point of attraction .Hence the present study is being carried out on Veṇīsaṁhāra. |
| Keywords: | - Reproduction , scholasticity , Flourished , Sectacle, delicacy , consummation , calamities, quietistic |
| Cite Article: | "Sanskrit dramaturgy in the Venisamhara", International Journal of Science & Engineering Development Research (www.ijsdr.org), ISSN:2455-2631, Vol.8, Issue 2, page no.468 - 475, February-2023, Available :http://www.ijsdr.org/papers/IJSDR2302081.pdf |
| Downloads: | 000337075 |
| Publication Details: | Published Paper ID: IJSDR2302081 Registration ID:203964 Published In: Volume 8 Issue 2, February-2023 DOI (Digital Object Identifier): http://doi.one/10.1729/Journal.33053 Page No: 468 - 475 Publisher: IJSDR | www.ijsdr.org ISSN Number: 2455-2631 |
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